(PCM) The famous contemporary artist Georgia O’Keefe was born on the 15th. November 1887, born and died on November 6, 1887. March 1986. O’Kiff is one of the most famous artists in the world and is often regarded as the mother of American modernism in the field of art.
She is best known for her paintings of enlarged flowers, but she also painted several abstract cityscapes during her life in New York City and several desert landscapes in the last years of her life when she lived in New Mexico. In fact, O’Kiff’s most famous paintings show so many scenes from New Mexico’s desert that many people think they actually come from that part of the country. Amazingly, O’Keefe grew up on a very famous dairy farm in Sunny Prairie, Wisconsin.
O’Keefe attended the school of the Chicago Art Institute from 1905 to 1906. In 1907 she visited the League of Art Students in New York where she studied with William Merritt Chase. In 1908 she won the William Merrit Chase-League Award for her oil still life for her painting Dead Rabbit with a Copper Pot. His award was a scholarship to an open-air summer school in Lake George, New York. During her stay in the city in 1908, O’Kiff visited an exhibition of Rodin’s watercolours in Gallery 291, which belonged to her future husband, the photographer Alfred Stieglitz.
Stieglitz began taking photographs of O’Keefe when she visited him in New York in 1917 to see his exhibition. In 1937, when he left photography, he had made more than 350 portraits of her. Most of the most erotic photographs were taken in the 1910s and early 1920s. In February 1921, forty-five photographs of Stieglitz, including some by O’Kiff, some naked, were shown in a retrospective in the Anderson Galleries, causing a public sensation.
In the mid-1920s O’Keefe began to create large natural shapes up close, as if they could be seen through a magnifying glass. In 1924 she painted her first large-format painting Petunia Flowers, no. 2, which was first exhibited in 1925. She was also married to Stieglitz in 1924. After the death of their men, O’Keefe moved to New Mexico and, inspired by the landscape, made many famous paintings until his death.
In 1972 O’Kiff’s vision was affected by macular degeneration, resulting in the loss of central vision, leaving him with only peripheral vision. In 1972 she stopped painting with oil paint without help, but continued to work with pencil and charcoal until 1984. In 1976 she wrote a book about her work and in 1977 she had a film made about her. After his death in 1986 his body was cremated at his request and the ashes were scattered in the wind on the top of Mount Pedernal, above his beloved distant mountain.
To celebrate O’Kiff’s 128th birthday. For your 50th birthday, you’ll find five facts you may not know about her life.
- She often painted from the back seat of her beloved Ford Model-A. She removed the driver’s seat, loosened the car and turned it from the front seat to the back seat. Then she put canvas on the back seat like a donkey and painted.
- She immerses herself completely in nature in order to become one with her subject, regardless of weather or environmental risks. While he was in New Mexico, O’Kiff spent the summer tripping over his ghost ranch, which lived on the hottest, most suffocating days of the region to capture the brightest colors. She put up tents made of tarpaulins, fought the incessant rain and put on gloves when it was too cold. She went camping until she was 70.
- A long love story! O’Keefe and her husband Alfred Stieglize are said to have written 25,000 pages of love letters to each other. The couple began writing together in 1916, often (sometimes two or three times a day) and for a long time (up to 40 pages at a time). The surviving documents trace the evolution of their love affair – from flirting to affair and marriage in 1924 – and even document their marriage struggle.
- O’Keefe even gave up painting three times. The first time she had to help the family with the financial burden, the second time because of a nervous breakdown, and the third time later when her eyesight deteriorated and she couldn’t draw anymore.
- Even after she was no longer able to draw, O’Keefe retained her artistic spirit and focused on sculpture.
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