The 1992 film Candyman, written and directed by Bernard Rose, is an independent film based on the short story “Candyman” by Clive Barker. It stars Tony Todd as the titular character, and is based on the plot of the eponymous short story. The film was entered into the 1992 Cannes Film Festival.

As a kid of the 80s, I am a huge fan of all the horror, sci-fi, and fantasy that my generation grew up with. I am a fan of the classic films of that generation, and recently became a fan of the films of the past decade. When it comes to the classic horror films of the 80s, I have a lot to say. In particular, I love the films of Danny Elfman (he composed the music for the films “Edward Scissorhands” and “O Brother, Where Art Thou?”). The music he composed for the films “Candyman” and “The Nightmare on Elm Street” are among my favorites. Elfman’s score for “Candyman” was nominated for

I’m going to be honest right at the start and just admit that the only reason this film came on my radar at all is because I saw the trailer for the upcoming Candyman film when I went to see Spiral. That trailer intrigued me so much, I got curious and asked the Internet if I needed to see the original Candyman film first. As most of them said yes, I picked up a copy of the film, have just finished watching it and let me tell you that film is an experience I will not soon forget.

Honestly, I’m not sure where to start with Candyman, there’s so many parts of it that are incredible. I might as well start with Philip Glass’ score for the film. Had I known that Philip Glass composed the music for Candyman, I probably would’ve attempted this film years ago, as I have the highest respect for his work. This won’t surprise many of you who’ve been following my work, but the music was undoubtedly one of my favorite things about this film. It gives the story of Candyman an almost sacred feeling in some places, which is fitting given the titular character is a supernatural being and the hapless Helen is forced to join that realm by the film’s end. The thing is, I can’t imagine this film being scored any other way, that’s how good the music is! The air of solemnity it gives to the story in just the right moments, that’s what you want in film music, something that elevates the story.

Apart from the music, the story itself is equal parts enthralling and horrifying. Like, this is the stuff of my nightmares horrifying. After invoking Candyman and then attempting to disprove his legend, Helen is literally forced to watch as her life is systematically torn apart and destroyed beyond all hope of repair. The emotional angst and trauma in this film is so palpable that it will be a long time before I can watch this film again. You can feel Helen’s pain as she tries to comprehend what is happening to her. You can definitely feel Ann Marie’s pain in a scene that I found so distressing I’m scared to see what the unrated version of the scene looks like. If the goal of this film was to make me deeply uncomfortable, it worked. My mind was taken places it didn’t want to go, but the story was so compelling I literally could not look away.

And then there’s Candyman himself. I was completely mesmerized by Tony Todd’s performance as the titular character. Once he properly arrives in the film after being teased several times, you literally can’t look away whenever he’s on the screen. Between his deep voice and the sheer presence with which he plays the role of Candyman…I don’t know what to say other than I was enthralled. What really drew me in were the hints at Candyman’s hidden depths. He’s not just some random killing being, there’s a purpose to what he does and it makes a twisted amount of sense if you think about it long enough. And that scene with the bees, yes THAT scene, that pretty much put me over the edge (and that’s all I can say about that).

Was there anything I didn’t like in this film? Well, not exactly. I was uncomfortable with some of the more bloody moments, but that’s because I’m a generally squeamish person. It can’t be a complaint against the film because if I’m watching a rated R horror film, I know I’m going to be in for something messy. However, I do think that sub-plot with Helen’s husband was almost unnecessary. I kind of get why it’s in there, since it provides the final push Helen needs to realize she needs to give in to the Candyman (and it helps set up a fantastic closing sequence to the film), but it still feels like almost an afterthought given everything else going on. That’s really nitpicking though, as I loved pretty much everything else in this film.

Now that I’ve made it through the original Candyman film, I’m more excited than ever to see Nia DaCosta’s take on the story (especially since I’ve seen that Tony Todd will be in that film as well). I am also definitely adding Candyman to my list of must-see Halloween films that has slowly been growing since I managed to watch Halloween (1978) last year.

Let me know what you think about Candyman (1992) in the comments below and have a great day!

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